ENTERTAINMENT

After marriage, Parineeti Chopra accepts having two occupations

Parineeti Chopra spoke out about her marriage to Raghav Chadha and her choice to pursue acting and singing professions concurrently in a recent interview. Even though Chopra was starting a new chapter in her personal life, she said that she wanted to reject the idea that being married should cause one’s profession to stagnate.

By saying, “Just because I’m married doesn’t mean I should hit the brakes on my career,” Chopra underscored that she defies social norms. She emphasized the variety of marriages and the idea that each person has their own dynamics and shouldn’t be forced to fit into a single story. She also brought up the fact that some people work on their wedding day.

While acknowledging the practical difficulties of keeping a marriage going while residing in separate places, Parineeti made it clear that their marital status had no effect on their individual jobs. She is adamant that marriage and employment can live peacefully, with one enhancing the other.

Chopra affirmed her dedication to putting in a lot of effort and fully immersing herself in the music industry, expressing her excitement for the dual challenge of pursuing acting and singing concurrently. Although she acknowledged that she felt pressure, she reaffirmed her resolve to not overthink things and to instead enjoy the adventure that lay ahead.

Chopra stands apart from her colleagues due to the way she approaches both her personal and professional lives. She sees her careers as essential components of her complex life, not something that devour her whole being. From this vantage point, she tackles the delicate task of combining two occupations with perseverance and hope.

Parineeti Chopra embodies a contemporary perspective when it comes to marriage and work, prioritizing personal satisfaction above strict social rules. She embodies the spirit of tenacity and adaptation in managing life’s complexity by rising to the challenge of pursuing both acting and singing.

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